The Path of Pins.

Third and final instalment of the Bitten triptych; a work that uses the ‘Little Red Riding Hood’ fable as a rough framework to explore werewolfism as a metaphor for female puberty. Like the lupine transformation, adolescence leads to the development of androgenic hair and visible bodily change. Fertility is heralded by the menstrual cycle; whose pattern is traditionally linked with the phases of the moon. Of course, the latter is also associated with so-called ‘madness’ (anger and antisocial moods). The works investigate the development and maturation of young girls and raise questions of choice and consent, moratorium and foreclosure; but delve into the mind of the wolf as well as the ‘curse’ takes hold.

This book investigates the act of restricting oneself. During development children go through a period of free experimentation known as moratorium in order to ‘find themselves.’ By opening themselves to new experiences they are able to shift and change into the people they will one day solidify into, replete with views and opinions that might be quite contrary to those they had before this period.

If the child chooses not to undergo moratorium, feeling that they would not like to change or experience anything new, this is known as foreclosure.

The girl in this book is fixed and immobile, ignoring the wolves as they creep in, page by page, eventually surrounding her.

Part 1.

Part 2.

katsaw:

Carnivore Incarnate.

Part one of the Bitten triptych; a work that uses the ‘Little Red Riding Hood’ fable as a rough framework to explore werewolfism as a metaphor for female puberty. Like the lupine transformation, adolescence leads to the development of androgenic hair and visible bodily change. Fertility is heralded by the menstrual cycle; whose pattern is traditionally linked with the phases of the moon. Of course, the latter is also associated with so-called ‘madness’ (anger and antisocial moods). The works investigate the development and maturation of young girls and raise questions of choice and consent, moratorium and foreclosure; but delve into the mind of the wolf as well.

I wanted there to be an overarching theme of consumption – both with food and sexually. Unfortunately I could not show every page in the book but it is littered with the detritus of kills until the sexual images begin to dominate as one pages through the work. For this reason I decided to use cut-outs to create a page-through mouth on the cover, which symbolically ‘bites’ the intended viewer upon picking up the book. After this the viewer goes into the mind of the wolf, past the surface layer of sheer hunger into the deeper levels of its consciousness as the ‘curse’ begins to take hold. The work of Angela Carter was a big influence, both in this work and my thesis. Her story “The Company of Wolves” is obviously a more sexual retelling of the Red Riding-Hood fable, and I wanted to play with that.

Part 2.

Part 3.

I draw the students while they draw. So it’s a good trade. Enjoy the bad cellphone-photos.

 

The last two images are basically fan art of a student’s work. She consistently draws herself with huge, outlined eyes and hair that follows the shape of her head as opposed to falling down straight behind her shoulders as it does in real life. It’s kind of unsettling. I sort of like that she’s got her own specific style; it’s sort of Munch-ish.. So to encourage her to develop that into something really disturbing I tried to emulate it.

Carnivore Incarnate.

Part one of the Bitten triptych; a work that uses the ‘Little Red Riding Hood’ fable as a rough framework to explore werewolfism as a metaphor for female puberty. Like the lupine transformation, adolescence leads to the development of androgenic hair and visible bodily change. Fertility is heralded by the menstrual cycle; whose pattern is traditionally linked with the phases of the moon. Of course, the latter is also associated with so-called ‘madness’ (anger and antisocial moods). The works investigate the development and maturation of young girls and raise questions of choice and consent, moratorium and foreclosure; but delve into the mind of the wolf as well.

I wanted there to be an overarching theme of consumption – both with food and sexually. Unfortunately I could not show every page in the book but it is littered with the detritus of kills until the sexual images begin to dominate as one pages through the work. For this reason I decided to use cut-outs to create a page-through mouth on the cover, which symbolically ‘bites’ the intended viewer upon picking up the book. After this the viewer goes into the mind of the wolf, past the surface layer of sheer hunger into the deeper levels of its consciousness as the ‘curse’ begins to take hold. The work of Angela Carter was a big influence, both in this work and my thesis. Her story “The Company of Wolves” is obviously a more sexual retelling of the Red Riding-Hood fable, and I wanted to play with that.

Part 2.

Part 3.

Necrophagous.

For this piece I  tracked the development of a maggot, from the fly laying the egg to the maggot forming a pupa and emerging from it as a fly itself. The book got eaten away by said maggot more and more as it went along; and also began to show stains of decay. I buried it in a shallow grave for a week to make it more authentic.

So we had our graduate exhibition.

I was set up in the centre of the first venue, and initially people didn’t realise it was a separate piece (there was another girl whose work covered all the walls around me). I’d chosen the most medical-looking stainless-steel contraption I could find. In actuality, it was a painting tray; but it served my purposes very well. I got a lot of latex gloves for people to use in case of dirty hands and placed them on the lower rack.

The reception was really good; many people sought me out personally and made positive comments. Thanks to the wonderful This Cardinal Maroon for taking the time to page through every work and read every word. That’s dedication; I am honoured. Seeing as this is the culmination of four years of work and my first public show, it was truly something to see a fair percentage of the decent-sized crowd clustered around the smallest pieces of the entire graduate show, all waiting for a turn with seven books. It was wonderful.

The Little Books of Growing Up: Puberty.

This book deals with the changes that occur during adolescence. These are divided into five chapters:

  • Adrenarche — hormones begin to sway the body; developing androgenic hair, sweat glands, acne
  • Gonadarche — growth of sex organs (ovaries, testicles)
  • Thelarche — breast development in females
  • Pubarche — growth of puibc hair
  • Menarche — first menses
  • Spermarche — development of sperm

Not all images/explanatory text is shown here; of course, but you get the idea. The drawings were done in ballpoint pen inside a 10.5 x 6.5cm Moleskine sketchbook.

The Little Books of Growing Up: Childhood.

This book deals with the changes that happen in the body during childhood; such as the fusing of bones (children are born with over 270 bones while adults only have 230), changes of proportion to facilitate balance, the growth of permanent teeth, etc.

The drawings and text (not pictured) were all done in a 10.5 x 6.5cm Moleskine sketchbook, so it was a fairly small area to work with.

Forensics.

Or: the little book of horrible death.

Just a little backstory: I found this book on forensic medicine that has some of the loveliest pictures in it. Of course, it’s all of hideous wounds and dead people, but there is one image of the trachea of a drowned man; filled with shells. Such a gorgeous juxtaposition — pretty little shells, washed into a dead man’s throat like those holiday souvenirs.

I recreated the images, superimposing their injuries onto myself/a willing model. Each drawing has a page over it with a cut-out square, framing the image like those labelled pictures you find in textbooks. Below the square is a label: “Figure 143 (a) - passenger in front seat thrown against dashboard.” “Figure 55 - deceased was kicked to death.” “Figure 62 - made with a heavy iron spigot.”

The pages are also interspersed with other quotes from the book. My favourite I must share with you:

"A powerfully-built man, six feet in height, under the mistaken impression that he had venereal disease, attempted to hang himself.

The rope broke at its attachment to the bough, but the drop tightened the rope around his neck so much that it could not be freed.

He then travelled 150yards to a barbed-wire fence and attempted to sever the rope on one of the barbs.

He cut a large wound in his neck without freeing the rope and then succumbed to asphyxia.”

Book autopsy.

So this is my most recent little book; the “book autopsy,” which is still not finished yet because I need to get some suitable thread.

But basically you open it and see a bunch of organs all nicely layered and body-cavitylike. Or that’s the idea.

I take photos with my cellphone, because I’m a serious artist


EDIT: Proper photos here.

Geiger’s Alien: my transformation.

and

So we had our crit. Basically, my supervisors like the sketchbook art I’ve been doing. I have finished one book and need to start another, but unfortunately the stores in this town don’t have any of the books I like. Thus, I am planning what I’d like to do in the next one to avoid that awful ideas block.

I’m thinking of working on a far smaller scale.

bod·i·ly

adj.
1. Of, relating to, or belonging to the body.
2. Physical as opposed to mental or spiritual: bodily welfare.
adv.
1. In the flesh; in person: bodily but not mentally present.
2. As a complete physical entity: carried the child bodily from the room.
Synonyms: corporeal, fleshly, physical, somatic
+ Load More Posts